Manhattan (1979)
Facts
| Directed by | Woody Allen |
| Cast | Woody Allen, Diane Keaton, Michael Murphy, Mariel Hemingway, Meryl Streep, Bella Abzug, Mark Linn Baker and Wallace Shawn |
| Theatrical Release | March 14, 1979 |
| DVD Release | July 5, 2000 |
| Running Time | 96 minutes |
| MPAA Rating | R (Restricted) |
| UPC Code | 027616851154 |
| Buy this item | $9.99 at Amazon.com As of Jan 4 19:46 EST (details) 1 DVD, TWENTIETH CENTURY FOX HOME ENT, Usually ships in 24 hours, Anamorphic, Black & White, Color, DVD-Video, Widescreen, NTSC Languages: English (Original Language - Dolby Digital 2.0), Spanish (Original Language - Dolby Digital 2.0), Spanish (Subtitled), French (Subtitled) Or 40 new from $5.70, 22 used from $4.89 |
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User Reviews
Average user review:| Great Movie. Great Price! |
| ONE OF WOODY'S BEST, BUT THE DVD HAS SOME PROBLEMS! |
| The Most Interesting Part Is Seeing 1970's New York |
Is it any wonder the 1970's was once termed the era of the Me Generation? Not only are the characters in this film prime examples of that selfish bevy but I can't see Manhattan appealing to anyone other than those who either make up that mindset or else wish to study it. Let's be honest, most people are sheep, and if they're told something is masterpiece of art or literature or cinema, they believe it and cling to that belief with mastiff-like tenacity. I suspect that explains much about Woody Allen's alleged magnum opus, Manhattan.
I guess I'm having trouble seeing this film as a masterpiece. It was all right, I don't regret investing the time to see it, but a masterpiece? Many people cite the brilliance of its opening few minutes, but why does Woody Allen get credit for that when George Gershwin wrote the music, and the skyline of Manhattan was created by other people? Yes, adoring Woody Allen fans, I'm saying it: the filming of the scenery set to Rhapsody in Blue could as easily have been done by an educated media arts student. As for the plot, well, it was thin and seemed badly dated to my twenty-something sensibilities. Pampered pseudo-intellectuals "tawking" endlessly about how convoluted their amoral lives are? Sorry, that's been done and done and done, and for that matter, done better. And then there's the ethics of it all wherein a man teetering on the brink of post-middle age serially commits the statutory rape of a high school girl. Oh, I forgot, that's somehow avant-garde. Gee, I bet his lawyers loved that storyline back when the accusations of child molestation were flying, huh?
Yes, I know, I'm being a little mean here. Woody Allen is a witty soul who has given us a number of fine movies (about one film in six he's made) and since movie appreciation isn't the inarguable exactitude of mathematics, then appreciation others believe they have for this movie is valid in their own minds. I just can't see it...
Okay, fire away. I've got on my Kevlar dress...
October 12, 2008
| Manhattan review |
| Modern Cinematic Masterpiece |
The charm of Allen's films lie largley in his clever, witty, satirical and often sadonic observations of human nature, foibles and weaknesses. The fragility of life and fickleness of relationships. Allen's movies often present like a modern take on Brechtian theatre, with the central character acting partly as narrator, and detatched observer or commentator as well as participant. Pondering lifes deeper questions, puzzlements and moral dilemmas. Presented always with his wry Jewish American, intellectual brand of humour. Manhattan, along with 'Hannah and her Sisters', and 'Crimes and Misdemeanours', in my view probably display this "wry observation" the most stylishly and successfully. His films (particularly the earlier ones) are also full of mocking self parody, where by he is really often just playing himself or at the very least aspects of himself. There are some hilarious moments and memorable vintage 'Woody' lines here.
"She's 17 and I'm 42..". Says Issac to his friends about his young girlfriend Tracey (Mariel Hemmingway)."I'm older than her Father... I'm dating a girl where in I can beat up her Father, that phenomenon never occurred before". And on relationships: " I'm old fashioned I believe people should mate for life like pigeons.. or Catholics". But my favourite, in conversation with his ex wife( the divine Meryl Streep)who left him for another woman:
"Well you knew my history when you married me".
" Yeah my analyst warned me, but you were so beautiful that I got another analyst".
The characters in Manhattan are very 'New York' yet ones that audiences recognize within themselves and own lives, or society at large. With all their petty adult problems of extra marital affairs, and flitting from one relationship to the next. Perhaps a subconscious distraction to avoid dealing with life's more deeper issues, such as death. A subject never far from Allen's thoughts.
Allen and Keaton are great as always but I think Mariel Hemmingway really steals the show here, she's just perfectly gorgeous as Allen (Issac's) young love interest, who despite her youth has a wisdom beyond her years, enabling her to teach him ultimately as much as he's taught her, especially in the beautifully ironic twist at the end.
Manhattan really is a timeless visual piece of cinematic art, and most quintessential 'New York' movie. It most definitely would not have worked as well in colour. As one reviewer eloquently put it, the city itself is as much a star of this movie as the actors, if not more so.
Last year I was finally lucky enough to have my dream of visiting New York City become a reality, and I was not disappointed. Every so often as I strolled through Central Park, or Greenwich village, I half expected to catch a glimpse of Woody in the street, hearing Gershwin and Cole Porter tunes as I gazed at the Brooklyn Bridge or the Russian Tea room. New York is certainly very much his 'Town'. April 9, 2008
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